Because of respectability politics, audiences will often hold characters of color—and black women in particular—to different standards. Rutina Wesley’s Tara on True Blood was hated fiercely by fans for her flaws despite not being any worse than any of the other characters on the show (in fact, Tara, for me, was one of the only heroic characters that show had). Kat Graham’s Bonnie Bennett has similarly been scrutinized for “bad choices” by fans of The Vampire Diaries. Meanwhile, Elena Gilbert gets to pretty much do whatever she wants without losing her hero status.

When critics talk of the great “antiheroes” of TV drama right now, they mention the Walts, the Dons, and the Rusts. But what about Olivia Pope? White men on television, of course, get to be morally questionable, and people will love it. Black women on television are expected to be role models, to “represent” the race in a positive light. Black women on television are allowed to be heroes, but not in a way that threatens whiteness. They are allowed to be strong, but not overpowering; smart, but not arrogant. They’re expected to be independent but also team players.

AV Club calling out society’s inherent racism and misogyny in it’s review of How To Get Away With Murder  (via capleesi)
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The Angry Black Woman is a racist trope used to deny black women their humanity. Black women aren’t allowed to be complicated — they’re just angry. Black women aren’t allowed to be upset or vulnerable — they’re just angry. Black women are not allowed justifiable reactions to the myriad of bullshit — racist, sexist and otherwise — that they face. Oh, you know those black ladies are just so angry all the time. The New York Times, Shonda Rhimes & How to Get Away With Being Racist (via americanbornterror)

(via americanbornterror)

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